STATEMENT:

My new work emerges from my curiosity about “invasive” plants and their associated narratives. With graphite and ink on paper, this work reflects the conventions of botanical illustration – intricate, highly detailed, and true to plant forms. But where botanical illustration aims to catalogue and isolate the chaos of the natural world, these drawings burst forth from that convention. Composed of vignettes that connect in a larger narrative when threaded into wall-sized installations, this work depicts plants and figures who flourish and merge in a broken, shifting landscape.

The compositions convey abundance and ambivalence: the generosity of the earth envelops figures in uncertain positions, ground that shifts, skin that opens. These plants surround figures engaged in queering their relationships – negotiating power and tension, rediscovering queer sex in nature, losing themselves and re-emerging. Instead of depicting plant species in quiet isolation within arbitrary boundaries and dualistic thinking, the work opens into fecundity and interrelation. In this process, I am weaving together the visionary edges of permaculture, queer theory, herbalism, ethnobotany and political history to describe the relationship between ecology and psychology, or world and self.

The work arises out of my research into the ways plants have been depicted aesthetically and scientifically, and it takes note of the often invisible cultural frameworks that influence “objective” studies of the natural world. Specific plants show up in these vignettes, typically those villainized by dominant narratives about “invasive species:” phragmites, evergreen blackberry, Queen Anne’s Lace, tansy, purple loosestrife.

We’re encouraged to cultivate belligerence toward invasive plants – they “choke out native species,” “destroy habitat,” “upset the balance,” and, at all costs, must be annihilated. In this language, I hear a projection of colonizer guilt, and see a troubling mirror of my country. Fascist agendas have, historically, employed ecological metaphors to rally disaffected masses under the cause of a “return to a purer time,” with visions of a stable, “classless society based on a ‘natural hierarchy’” and freed from parasitic outsiders. Early ecologists were so attached to the concept of nature as “stable,” “balanced,” and “pure” that they tossed out data which contradicted their theories.

But nature is dynamic and responsive. Both plants and humans have always migrated and intermingled in response to changing social and ecological forces, and invasive plant species grow in damaged ecosystems because they are uniquely suited to the particular conditions of those landscapes. Often, they are in the process of initiating a series of transformations that create improved conditions for other species in the future. It is not possible to “return” to an (imaginary) “purer time” before plants and humans moved and changed paces. Shedding our current cultural framework in order to observe the ecological roles played by invasive species as they transform disturbed landscapes may be a vital practice if we are to adapt to a swiftly changing climate. I am interested in using these images as an opportunity to engage the public in a practice of observing and questioning why these plants grow where they do.

BIO:

Nicole Sara Simpkins grew up reading books and climbing trees on the New England coast in an old Victorian cottage by a salt marsh. She moved to the Twin Cities to pursue her BA in English from Macalester College in Saint Paul, MN. She holds an MFA in Printmaking from Indiana University, Bloomington, where she taught Drawing. She has also taught Drawing, 2-D Design, and Printmaking at The University of Wisconsin - Stout, and now teaches Drawing at Minneapolis College of Art and Design and at the University of Minnesota. Nicole lives and works in South Minneapolis, where she runs Scylla & Circe Press. She serves on the Steering Committee and is a proud member of of the Conspiracy of Strange Girls Collective.

 

INQUIRIES:

I love hearing about what this work does: please write if you are so inclined. If you are interested in purchasing work, please write via email. Some prints from Scylla & Circe Press are available for sale - feel free to contact me by email or via Instagram if you see something you like.  Stay tuned for updates on a new online storefront, coming someday. Also, I like making band art, especially if you make doom, metal, punk, and heavy music, and especially if you are rad, female, queer, and/or witchy.  

CV:

Click here.

EMAIL:

simpkins.nicole@gmail.com

INSTAGRAM:

@scylla_and_circe_press

Bibliography/what I'm reading:

Ahmed, Sara, Queer Phenomenology: Orientations, Objects, Others, 2006. Duke University Press: Durham, NC.

Bennet, Jane, Vibrant Matter: A Political Ecology of Things, 2010. Duke University Press: Durham, NC.

brown, adrienne maree, Emergent Strategy: Shaping Change, Changing Worlds, 2017. AK Press: Chico, CA.

bergman, carla and Montgomery, Nick, Joyful Militancy: Building Thriving Resistance in Toxic Times, 2017. AK Press: Chico, CA.

Chen, Mel Y., Animacies: Biopolitics, Racial Mattering, and Queer Affect, 2012. Duke University Press: Durham, NC.

Davis, Heather and Turpin, Etienne, editors, Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (Critical Climate Change Series), 2015. Open Humanities Press.

Dunbar-Ortiz, Roxanne, An Indigenous People's History of the US, 2015. Beacon Press, Boston, MA.

Geniusz, Mary Siisip, Plants Have So Much To Give Us, All We Have To Do Is Ask: Anishinaabe Botanical Teachings, 2015. University of Minnesota Press: Minneapolis, MN.

Haraway, Donna J, Staying with the Trouble: Making Kin in the Chthulucene, 2016. Duke University Press, Durham, NC.

Hemenway, Toby, Gaia's Garden: A Guide to Home-scale Permaculture (second edition), 2009. Chelsea Green Publishing, White River Junction, VT.

Kimmerer, Robin Wall, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants, 2014. Milkweed Editions, Minneapolis, MN. 

Kohn, Eduardo, How Forests Think: Toward an Anthropology Beyond the Human, 2013. University of California Press, Oakland, CA. 

Mortimer-Sandilands, Catriona and Erickson, Bruce, editors, Queer Ecologies: Sex, Nature, Politics, Desire, 2010. Indiana University Press, Bloomington, IN.

Orion, Tao, Beyond the War on Invasive Species: A Permaculture Approach to Ecosystem Restoration, 2015. Chelsea Green Publishing, White River Junction, VT.

Pearce, Fred, The New Wild: Why Invasive Species Will Be Nature's Salvation, 2015. Beacon Press: Boston, MA.

Ross, Alexander ReidAgainst the Fascist Creep, 2017. AK Press: Chico, CA.

Scott, Timothy Lee, Invasive Plant Medicine: The Ecological Benefits and Healing Abilities of Invasives, 2010. Healing Arts Press.

Tsing, Anna Lowenhaupt, The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins, 2015. Princeton University Press, Princeton, NJ.